EVOC CP 26L & Stage Capture 16L Camera Bags

EVOC makes fully-fitted camera backpack for professional and amateur sports photographers.

EVOC CP 26L & Stage Capture 16L Camera Bags Backpack Review

Balance is everything, in life as well as when shooting photos on a ride. We photographers often find ourselves sacrificing the fun of a ride if we want to carry the equipment that we need to shoot high-quality photos.

There are so many factors to consider when choosing a camera pack, and every photographer has different priorities based on the types of equipment they prefer to use and the locations in which they tend to ride and shoot. But in the end, it’s all about finding a pack that balances one’s top priorities, whether it’s storage space, weight distribution or plain old comfort.

Over the years, I’ve gone through several camera packs, from the 40-liter F-stop Ajna to various Lowepro models. Then a few years ago I tried my first EVOC pack, the 18-liter Photoscout 18. I put it through three rough years of three-season abuse in all types of weather conditions. It was a tank, enduring everything from the salty air of Hawaii to the dusty cold of Nepal’s Himalayas and the rain and mud of Washington state and British Columbia.



But for full-production shoots, I’ve found I need a bigger-volume pack, and EVOC’s 26-liter CP 26 really hit the sweet spot between storage space, comfort, gear protection and durability. When chasing after athletes on the trail, it’s essential to ride everything as quickly as possible and not lag behind while finding the next spot to shoot. In the past, I’ve struggled with some other packs in the steeps, often “bottoming out” the back of my helmet on the top of a given pack while trying to look uphill during climbs—instantly hindering both my vision and control of my bike. But the CP 26 has a low profile at the top of the bag that allows for a full range of head motion. It’s a highly functional design, with the shoulder straps stemming from the top of the pack, allowing ample helmet room, even while tilting the head back. Not only does this enable a wide range of motion, but it gives a safer, more natural feel when riding technical terrain. Adding to the CP 26’s comfort, the design of the waist belt is revolutionary for photographers who have to pedal hundreds of miles in the saddle to get the shots they need. It utilizes a stretchy material that conforms to one’s waistline without pinching down on any pressure points. Rather than having a conventional buckle that presses straight against one’s stomach, the buckle is situated on the outside of the waist belt, which forms a buffer between one’s body and the plastic buckle. The Velcro fastening system of the waist strap itself is highly adjustable and secure, even without the exterior buckle, and I’ve found myself not using the buckle at all when scrambling from one location to the next in search of the best light.

Perfect positioning on your back and optimal air circulation thanks to the ergonomic carrier system with flexible, length-adjustable hip belt.
Adjustable length waist strap with Aero-Flex for maximum comfort.
Adjustable chest straps keep the bag secure while riding down rough terrain.
Additional compartments for personal items, small parts, a laptop and a hydration bladder.
Side pocket detail, fitted for a small water bladder.
Camera block details.

Though I’d become accustomed to carrying the smaller Photoscout 18, the CP 26 doesn’t feel much bigger, despite offering a lot more storage space. With the Photoscout 18, I was constantly looking for ways to condense, often forsaking snacks and important items of clothing in favor of flashes or a drone. Fortunately, the CP 26 has room for everything I need, with three new pockets suitable for storing clothes, glasses or goggles, keys and even a laptop.

Still, everything in life requires a compromise. While I’m thrilled that these pockets allow for much more storage, accessing them takes more time, given the fact that one has to navigate past straps and flaps to unzip the back of the pack.

Another thing I love about the CP 26 is the fact that it’s squared off at the corners, allowing it to be placed upright or on its back without rolling around or toppling over—something that is a constant annoyance with many other camera packs. This, together with its comfort, compactness and light weight, makes it an ideal pack for photographers who like to truly shred on their bikes while also stacking up the nugs.

Color options include Heather Gold seen here or Black.
SD cards slots.
Adjustable waist strap detail.
Large zipper pulls for easy access to the camera block.


EVOC Stage Capture 16L:

For shorter rides and shoots requiring significantly less equipment, I was thrilled to use the 16-liter Stage Capture 16—a day pack that feels more like an everyday hydration bag than a fully dedicated camera pack. EVOC seemed to think of everything when designing the Stage Capture 16, which features the company’s standard front-loading camera compartment, with back pads and shoulder straps that allow for ample airflow to keep your back and shoulders dry. The blue foam and mesh padding adds a touch of comfort while still keeping the pack firmly planted on your back when diving into the chunder.

As with the CP 26, the Stage Capture 16 features the stretchy, highly adjustable Velcro waist strap—a hallmark of the EVOC line of packs and something I consider to be one of the most important design breakthroughs in camera pack history.

A handy new feature of the Stage Capture is the “back link” system, which connects the shoulder straps to the pack itself while allowing the body of the bag to swivel and move freely as your body shifts through all types of riding terrain. And if you’ve got wide shoulders, this feature is a godsend, allowing for a wider placement that doesn’t rub against your collarbones.

Super-lightweight, compact system camera backpack for unencumbered bike tours.
Chest strap keeps bag secure while on rowdy descents.
Waist strap detail.
Simple, efficient organization as the camera compartment can be opened up completely.
Small profile on body.
The camera can be accessed at any time thanks to integral side access.
Optimal air circulation on the back due to the AIRFLOW CONTACT SYSTEM.
Airflow details.
Ideal for mountain biking or alpine sports.
Color options: Heather Carbon Grey seen here or Heather Light Olive.

In terms of the camera storage space, the front-loading system allows for quick and easy access, as well as sensible organization options for a wide range of lenses. The ideal setup would be a couple of primes, such as an 85-millimeter, a 35-millimeter and a 12-millimeter. With my Canon EOS 7D body, I can still fit three lenses: My 17-40-millimeter, a 50-millimeter and a fisheye. If you’re carrying a Sony body, this pack also has enough space to stash a 70-200-millimeter lens in the long slot.

When it comes to space for other items, this pack has well-conceived spots for snacks, clothes, keys and water. The three large top pockets have ample space for a rain jacket, extra layers and gloves, while the small front pocket allows easy access for items such as sunglasses and keys. The pocket closest to the back plate is ideal for water storage, allowing most water bladders to sink low into the compartment, keeping the weight low and off the mid back.

Overall, the Stage Capture 16 is best suited for shorter day rides, where the shredding is more the emphasis than the actual shooting. It’s compact, comfortable for a range of body types and has just enough camera storage to ensure that you won’t miss any must-have shots while still enjoying every inch of trail.

EVOC CP 26L Camera Bag - $330

EVOC Stage Capture 16L Camera Bag - $190